LOT 1692-1693
FROM THE COLLECTION OF MS. MARGARET ANNE CHANG

DING YANYONG (1902-1978)
Morning Glories and Bees
Hanging scroll, ink and color on paper
89 x 47.5 cm. (35 x 18 ¾ in.)
Inscribed and signed, with one seal of the artist
Dedicated to Madame Anni (Margaret Anne Chang)
Dated summer, bingchen year (1976)

PROVENANCE
Margaret Anne Chang (1920-2009) was born and raised in Hong Kong before moving to the United States when she was 25.When she was 40 she began to learn Chinese paintings and took lessons from Ding Yanyong in the summer of 1976 during her trip back to Hong Kong with her sister. It as also at this time she acquired many of Ding's paintings, many of which are dedicated to her and these works have been with the family for over 30 years.

Specialist Note:
Ding Yanyong lived a life of many adventures. No ordinary artist, he was also a provocateur, teacher, and strong advocate for artistic reform. Highly influential in forming a fresh visual language using the age-old medium of ink with great freedom, he had a significant influence on artists of his own time and subsequent generations. Born into an educated family in Guangdong province, the young Ding won a scholarship under the auspices of the provincial government to study painting in Japan at the age of 18. He entered the prestigious Tokyo School of Fine Arts where Fauvist currents ran strongly; there, he painted oils in the style of Henri Matisse, marked by vigorous brushstrokes, lively colors and simple yet expressive lines. In 1925, he returned to China and started to teach, first in Shanghai and in Guangzhou. Soon he became intrigued by classical Chinese paintings, particularly the work of the late Ming, early Qing artists Bada Shanren and Shitao. Ding admired the bold, enigmatic images that the artists produced – as a result, he began to study traditional paintings and gradually developed his childlike, idiosyncratic style. Here, the blooming morning glory blossoms and bees signal the arrival of spring.