Lot 50
Lot Has Ended
MARTIN MALONEY (B. 1961)

Calendar Boys

Estimate : USD 7,500 - 9,900
Description

MARTIN MALONEY (B. 1961)
Calendar Boys
each: signed, titled consecutively and dated ' ''Calendar Boys - January [-December]'' Martin Maloney July 2000' (on the reverse)
paper collage and glue on paper, in twelve parts
each approximately: 11 ⅛ x 7 ¼in. (28.4 x 19cm.)
each: Executed in 2000

PROVENANCE
Xavier Hufkens, Brussels.
Acquired from the above by the present owner.

λSee terms & conditions for explanations of symbols

Lot Notes

In Calendar Boys (2000) and Shag Pile (2004) Martin Maloney transfers the cartoonish vibrancy of his painting to vinyl and paper collage, producing bright, witty vignettes that reflect on modern life and modern sex. In some senses inheriting the mantle of the 1980s work of Kippenberger and Oehlen, Maloney’s style is defined by a deliberate formal crudity and cheerfully lurid colour; the artist’s compressed forms and fluorescent tones combine to produce an immediately recognisable figurative language. Within this idiosyncratic language, Maloney brings his figures to life with a remarkable articulacy; as Adrian Searle has said of Maloney, ‘The awkwardness begins to have a kind of emotional tenor and expressiveness. All the figures are painted as individuals; each one is a problem to be resolved. No one is a cipher, and Maloney tries to give his subjects a character, a singular demeanour and poise.’ (A. Searle, ‘Don’t talk Maloney’, The Guardian, Feb 1, 2000, https://www.theguardian.com/books/2000/feb/01/artsfeatures.art [accessed Mar 22, 2017]). This individuation and intelligent sensitivity is clear in both these works: Calendar Boys offers a series of bizarre pin-ups, with each model given their own surreal, misshapen identity, while Shag Pile laughingly juxtaposes the subversiveness of a sex game gone wrong with the overwhelming kitsch of the domestic, suburban room in which it takes place.

The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

All collage elements appear to be present and adhere well to their underlying sheet. There are a spots of glue residue in places presumably due to the artist’s working method, as visible in the online illustration.
January: All four edges are deckled.
February: The left vertical edge is uneven, the other edges are deckled.
March: All four edges are deckled.
April: All four edges are deckled.
June: There are a few faint spots of rubbing to the lower right corner, presumably due to the artist’s working method.
July: All four edges are deckled. There is a pinpoint spot of foxing by the ‘J’ collaged element.
August: All four edges are deckled.
Sept: There are a few spots of rubbing in places to the upper right quadrant.
October: All four edges are deckled.
November: All four edges are deckled.
December: All four edges are deckled.
Iit is our view that the work appears to be in generally good condition.

For further images or more information of the present lot, please contact a member of the Post-War & Contemporary department. The condition of lots sold can vary widely due to factors such as age, previous damage, restoration, repair, and wear and tear. The nature of the lots sold means that they will rarely be in perfect condition. Lots are sold in the condition they are in at the time of sale.

Additional Charge Details

Additional charges, including buyer’s premium, value added, sales or compensating use or equivalent tax, any and all shipping expenses, including costs, packing and handling, any loss/damage liability fees, customs duty, import tax, any local clearance fees applicable for your country, and all other applicable charges will apply.

In addition to the hammer price, the buyer agrees to pay to us the buyer’s premium together with any applicable VAT, sales, compensating use or equivalent tax in the place of sale. Please refer to our Conditions of Sale for further details on buyer's premium.

VAT: All lots shall be sold as part of the Margin Scheme unless stated with the Dagger symbol (†) or the words “Dagger Lot”, the Omega symbol (Ω) or the words “Omega Lot”, the Star symbol (*) or the words “Starred Lot” or with the Theta symbol (θ) or the words "Zero-rated Lot." Please refer to our Conditions of Sale for further information on VAT symbols.

For details on private and company bidding registration, tax information (including refunds and exemptions), and CITES lots, please see our FAQs and Conditions of Sale or contact us by email at pwconline@christies.com or by telephone on +44 (0) 20 7839 9060.

Payment Information

You must pay the full amount due (comprising the hammer price, buyer’s premium, any applicable value added, sales, compensating use or equivalent tax, any and all shipping expenses, including costs, packing and handling, any loss/damage liability fees and all other applicable charges) no later than 23:59 (BST) on 17 April 2017. This applies even if you wish to export the lot and an export license is, or may be, required. You will not acquire title and own the lot until all amounts due to Christie’s have been received by Christie’s in full and funds cleared.

If you opt to collect your purchase(s) please kindly email Christie’s Client Service centre at pwconline@christies.com to schedule your collection at least 48 hours in advance and to secure any relevant forms. Payment must be made online prior to collection.

Should you send someone to collect your purchase(s) on your behalf, please complete a Letter of Authorization and send it to us at pwconline@christies.com prior to collection. Your representative must present a valid picture ID at the time of collection, such as a driver’s license or passport.

Need Help? Email our Specialists or call +1 212 636 2002 with questions.