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‘Lines have a great effect on paintings. They give great emphasis. There’s a line in Archilocos, who is my favourite poet, a general, a mercenary: ‘Leaving Paphos rimmed with waves, rimmed’ … It may not sound interesting to you but it’s central to me. I’m a Mediterranean painter’
-Cy Twombly
Showcasing his superb draughtsmanship, Untitled, executed in the early 1960s, is a stunning and rare figurative drawing from Cy Twombly. Characteristic of the artist, Untitled blends erasures with dark, gestural lines to create a palimpsest of rhythmic blurs which form this sensitive portrait. In loose, emotive line, Twombly drew a Roman nose, and long, wavy hair, and the portrait evokes the Classical sculptures that the artist was surrounded by while living in Italy. As Twombly said, ‘For myself the past is the source (for all art is vitally contemporary)' (C. Twombly, quoted in R. Leeman, Cy Twombly: A Monograph, London, 2005, p. 98). Indeed, it wasn't until the artist moved to Rome in 1957 that his visual language truly came together, filtering the history, land and myths of the Mediterranean through a sensuous and exuberant poetics of line. Untitled is an exceptional representation from Twombly and as lyrical and tender as any of his abstractions. Post Lot Text This work is filed in the archive of the artist under ‘memorabilia’, and will not be included in the Addendum to the Catalogue Raisonné of Cy Twombly Drawings.
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Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The work is hinged in places on the reverse to its underlying support. There is a fold to the lower edge in keeping with the artist’s choice of medium. There is a soft crease to the lower right corner. The sheet has slightly yellowed in places as visible in the catalogue illustration. It is our view that the work appears to be in generally good condition. Catalogue illustration: Fairly accurate.