Lot 18
Lot Has Ended

Dan Flavin (1933-1996)

untitled (to Marianne) 2
Price Realised: GBP 18750.00
Estimate : GBP 15,000 - 20,000
Description

PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION, MILAN

Dan Flavin (1933-1996)
untitled (to Marianne) 2
signed, titled, inscribed and dated '(to Marianne) 2 1970 in blue and yellow fluorescent light 8' high 8' wide S.F. Dan Flavin 11 29 72' (lower edge)
ink and coloured pencil on graph paper
17 x 22in. (43.2 x 55.5cm.)
Executed in 1972

Provenance

Galerie Beyeler, Basel.
Private Collection, Basel.
Anon. sale, Christie's South Kensington, 14 September 2011, lot 3.
Private Collection, Milan (acquired at the above sale).

Please note this lot is the property of a private individual.

The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

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Lot Essay

Composed of coloured pencil, ink and graphite on graph paper, Dan Flavin’s brightly coloured blue and yellow geometric drawing from 1970, Untitled (to Marianne) 2, gives a fascinating insight into the makings of the artist’s hallmark light sculptures for which he is world renowned. The work is one of a number of sketches Flavin created outlining his concepts for his large and ambitious gallery installations, which were exhibited as part of a group exhibition at the Leo Castelli Gallery in 1970. Untitled (to Marianne) 2 depicts the design for a blue and yellow fluorescent light structure, characteristically positioned in the corner space between two walls. This enchanting work, more than simply a blueprint, is markedly artistic in character: flanking the boldly coloured blocks on either side are two white bars which have been delicately outlined in opposing colour – blue besides the yellow block and yellow besides the blue – giving the alluring appearance of an incandescent glow. Although the installation was never realised, the ‘2’ in the title distinguishes it from a simplified variation of the design with the same title and colour scheme, which was fabricated three times. With elegantly cursive penmanship, Flavin has inscribed the present work with a dedication to Marianne Barcelona who worked at the Leo Castelli Gallery at the time of the group exhibition. Detailing the creative process behind Flavin’s sculptural creations, this vibrant drawing both highlights the artist’s pioneering practice of reshaping and redefining space through the medium of light, and presents a beautiful artistic vision in its own right.

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