Details
Helen Frankenthaler (1928-2011)
Untitled (from the Thanksgiving Day series)
signed 'Frankenthaler' (on the reverse)
glazed stoneware
1338 x 1712in. (34 x 44.5cm.)
Executed in 1973
Provenance
Private Collection, Switzerland.
Literature
J. Elderfield, Helen Frankenthaler, New York 1989, p. 244.
Exhibited
New York, Solomon R. Guggenheim Museum, Helen Frankenthaler: Tiles, 1975.
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 20%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. Where applicable Customs duty will be charged (per rate specified by HMRC guidance) on the Hammer price and VAT will be payable at 20% on duty. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
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Lot Essay

Helen Frankenthaler's series Thanksgiving Day comprises of a series of seventy-one tiles, each unique, painted over the Thanksgiving weekend of 1973. Painting during a holiday was typical for Frankenthaler: ‘It’s just for the time I am totally creating a work. I am obsessed and the energy flows, the ideas flow’ (Jacobson Gallery, Helen Frankenthaler: Paper is Painting, 2010). Inspired by Miro’s ceramic wall at the Guggenheim Museum, Frankenthaler has experimented with painting on stoneware at a ceramic studio in upstate New York. Thus galvanised, she prepared tiles to paint over Thanksgiving weekend. Every tile was the same size and shape, but each was a unique creation, showcasing the full range of Frankenthaler’s abstract expressionist aesthetic.

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