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Details
Lucio Fontana (1899-1968)
Concetto spaziale
signed and dated 'l. fontana 60' (lower right)
ballpoint pen and incisions on paper on board
sheet: 12¾x 9⅜in. (32.5 x 23.7cm.)
board: 18 x 14½in. (45.8 x 36.7cm.)
Executed in 1960

Please note this lot is the property of a private individual.
Provenance
A gift from the artist to the present owner circa 1960.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
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Lot Essay

‘The hole is, precisely, creating this void behind there... And so here we have: foreground, middleground and background... to go farther what do I have to do?... I make holes, infinity passes through them, light passes through them, there is no need to paint' (Lucio Fontana, quoted in E. Crispolti, 'Spatialism and Informel. The Fifties', pp. 144-150 in: Lucio Fontana, E. Crispolti and R. Siligato (eds.), Milan 1998, p. 146).


Executed in 1960, Concetto spaziale is an elegant work on paper belonging to Lucio Fontana’s iconic series of buchi (‘holes’). Initiated in 1949, two years after releasing his First Spatialist Manifesto, these works launched his revolutionary mission: namely, to pierce the inviolable surface of the canvas and, in doing so, to reveal a new uncharted dimension for art. Fascinated by the discoveries of the Space Age, Fontana sought to create a visual language that corresponded to mankind’s renewed understanding of the cosmos, later expanding his buchi into sweeping tagli (‘cuts’). The works on paper formed a crucial strand of his practice, offering a vital forum for experimentation: ‘they amounted to a sort of laboratory of immediacy’, observed Enrico Crispolti (E. Crispolti, Lucio Fontana: paintings, sculptures and drawings, exh. cat., Ben Brown Fine Arts, London, p. 82). In the present work, the faint oval shape encircling the buchi points to the artist’s fascination with the symbolism of the egg, predating his landmark series La Fine di Dio begun three years later.
Post Lot Text
This work is registered in the Archivio Lucio Fontana, Milan under no. 4210/2.

Artist's Resale Right Regulations 2006 apply to this lot. You must pay us an extra amount equal to the resale royalty and we will pay the royalty to the appropriate authority. Please see the Conditions of Sale for further information.

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