Sam Francis (1923-1994)
signed, inscribed and dated 'Sam Francis 1970 Los Angeles' (on the reverse)
acrylic on paper
63¾ x 47⅞in. (161.9 x 121.6cm.)
Painted in 1970
Please note this lot is the property of a private individual.
The Sam Francis Estate, Venice, California.
Chalk & Vermilion Fine Arts, Greenwich (acquired from the above in 1997).
Acquired from the above by the present owner in 2006.
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Santa Monica, Ikon Contemporary Art, Sam Francis: Works from the Seventies, 2000, no. 4.
Las Vegas, Las Vegas Art Museum, Sam Francis: Remaking the World, 2002 (illustrated in colour, p. 18).
‘I am fascinated by gravity. I like to fly, to soar, to float like a cloud, but I am tied down to place… Painting is a way in and out.’
Sam Francis’s lush work on paper Untitled, 1970 suggests a boundless, kaleidoscopic space where jewel-tones orbit a vast white expanse. Loosely spiralled around the centre are large splashes of red, purple, navy blue and translucent green. At the top, a yellow daub glows like a sun. Francis’s colours have a luxurious chromatic intensity. To achieve his effect, he layered thin coats of acrylic paint to create rich tones while still maintaining a watercolour-like delicacy. As Francis wrote, ‘Colour is light on fire. Each colour is the result of burning, for each substance burns with a particular colour’ (S. Francis quoted in J. Butterfield, Sam Francis, exh. cat., Los Angeles, 1980, pp. 9-10).Indeed, Untitled shimmers like the sea’s surface, a sublime dance of light on water.
Untitled presents a shift away from Francis’s paintings of the late 1960s; these compositions were dominated by a large, forceful white which threatens to overtake the narrow muted strip of a boarder. Instead of a hard edge, Untitled is softer and less rigid, the colours and the white coexisting harmoniously. The work possesses what curator Peter Selz called ‘an area of silence…characterized by a unique weightlessness’ perhaps resulting from its vertical orientation (P. Selz, Sam Francis, New York, Inc., 1975, p. 103). Like the ocean’s tides, the colours and white ebb and flow evenly, balanced forces united on paper.
Post Lot Text
This work is identified with the interim identification number of SF70-117A in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.
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