Calyx Krater Trash Can
incised with the artist's signature, title, number and date 'CALYX KRATER TRASH CAN II/VII James Rosenquist 1976' (on the underside)
oil on 18ct gold, in two parts
overall: 412 x 3 x 3in. (11.4 x 7.6 x 7.6cm.)
Executed in 1976, this work is number two from an edition of seven, each unique
James Goodman Gallery, New York.
Acquired from the above by Leslie Waddington.
A gift from the above to Clodagh Waddington.
"Prints & Photographs Published", in The Print Collector's Newsletter 8, no. 3, 1977, pp. 78-80.
"Goings on about Town: Art", in The New Yorker 53, no. 33, October 1977, pp. 8-11.
"Goings on about Town: Art", in The New Yorker 53, no. 34, October 1977, pp. 8-13.
"Goings on about Town: Art", in The New Yorker 53, no. 34, October 1977, pp. 8-14.
R. Gilbert, ed. "In and Around Town: Art", in New York 10, no. 43, October 1977, pp. 31-35.
D. Saff and D. Sacilotto, Printmaking: History and Process, New York 1978, pp. 345-346 (illustrated, p. 352).
D. Bourdon, Pop Art, Paris 1988 (illustrated, unpaged).
A. Olivia, S. Hunter and P. Schimmel, American Pop Art: Dine, Indiana, Johns, Lichtenstein, Oldenburg, Ramos, Rauschenberg, Rosenquist, Segal, Warhol, Wesselman, Palermo 1998 (illustrated, p. 151).
J. Rosenquist and D. Dalton, Painting Below Zero: Notes on a Life in Art, New York, 2009, p. 214.
S. Kushner, Donald Saff: Art in Collaboration, Munich 2010, pp. 42, 47 (illustrated, p 46).
New York, Getler/Pall Gallery, James Rosenquist: New Prints, 1977.
New York, Marian Goodman Gallery, Objects!, 1978, pp. 18-19.
New York, The Museum of Modern Art, Gold, 1978-1979.
Paris, La Galerie de Poche, Pop Art Americain: Les Cinq de New York, 1988, no. 13.
Florida, University of South Florida Art Museum, James Rosenquist at USF, 1988 (illustrated, p. 22).
Palermo, Loggiato San Bartolomeo, American Pop Art, 1999. This exhibition later travelled to Palazzo Ducale, Genova.
Texas, Museum of Fine Arts, James Rosenquist: A Retrospective, 2003, p. 14 (illustrated, p. 354). This exhibition later travelled to Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Museum, Bilbao, 2004, and Kunstmuseum Wolfsburg, Wolfsburg, 2005.
New York, Acquavella Galleries, The Pop Object: The Still Life Tradition in Pop Art, 2013, pp. 110, 161 & 251 (illustrated, pp. 160 & 251).
New York, Richard L. Feigen and Co., James Rosenquist: A Pale Angel's Halo and Slipping off the Continental divide, 1973, 2014.
Maine, Farnsworth Art Museum, Pushing Boundaries: Dine, Graves, Lichtenstein, Rauschenberg and Rosenquist-- Collaborations with Donald Saff, 2017.
Florida, Contemporary Art Museum, University of South Florida, James Rosenquist: Tampa, 2017, pp. 14 & 28.
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