Name: MARTIN DISLER (1949-1996)
Brand: Untitled
Price: 12000.00 GBP
Availability: SoldOut

MARTIN DISLER (1949-1996)
Untitled
(i) signed and dated 'disler 82' (lower right)
(ii) signed and dated 'disler 81' (lower right)
(iii - vii) signed and dated 'disler 83' (lower right)
(i) (iv) (vi) watercolour and charcoal on paper
(ii) acrylic, gouache and ink on paper
(iii) (vii) charcoal on paper
(v) oil stick, ink and chalk on paper
(i) 20 x 14⁷⁄₈in. (50.9 x 37.8cm.)
(ii) 16¹⁄₈ x 23¹⁄₄in. (41 x 59cm.)
(iii) 18³⁄₈ x 12³⁄₄in. (46.6 x 32.2cm.)
(iv) 20 x 14in. (50.8 x 35.7cm.)
(v - vii) 29⁷⁄₈ x 22in. (76 x 56cm.)
(i) Executed in 1982
(ii) Executed in 1981
(iii) Executed in 1983
(iv) Executed circa 1982
(v - vii) Executed in 1983

Galerie Konrad Fischer, Zurich.
Thomas Ammann Fine Art AG, Zurich.
Acquired from the above by the present owner.

Basel, Kunsthalle, Martin Disler. Zeichnungen 1968-1983, 1983-1985. This exhibition later travelled to Groningen, Grenoninger Museum; Düsseldorf, Kunstverein für die Rheinlande und Westfalen; Ulm, Ulmer Museum; Lausanne, Musée cantonal des Beaux-Arts and Mannheim, Mannheimer Kunstverein.
Winterthur, Kunstmuseum Winterthur, Fünf Sammlungen für das Museum, 1984.

This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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Condition report

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The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

(i) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The sheet undulates slightly. There is a minute loss to the to the extreme upper left corner. There are a few minor creases in places, most notably to the edges. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.

(ii) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. There are artist's pinholes to the extreme upper corners. The sheet undulates slightly. The right vertical edge is perforated. There are a few minor creases in places, most notably to the left vertical edge. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.

(iii) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. There are artist’s pinholes to the extreme corners. There is a minor crease to the lower horizontal edge. The extreme upper horizontal edge is perforated. There is a minor accretion to the upper left corner. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.

(iv) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The sheet undulates slightly. There are artist’s pinholes to the extreme corners. There are pinpoint accretions in places, most notably to the lower left quadrant. There is a minor tear to the extreme upper left and lower right corners, presumably in keeping with the artist's working method. Subject to the foregoing, it is our view that the work appears to be in generally good condition.

(v) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The sheet undulates slightly. There are artist’s pinholes to the extreme corners. There is a minor crease to the upper left quadrant. There is pinpoint lifting to the centre of the extreme upper horizontal edge. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.

(vi) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The extreme vertical edges are deckled. There are artists pinholes to the extreme corners. There is pinpoint lifting to the extreme upper horizontal edge. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.

(vii) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The extreme vertical edges are deckled. There are artist’s pinholes to the extreme corners. There is a pinpoint accretion to the lower horizontal edge, presumably in keeping with the artist's working method. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.

Print Report