Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
(i) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The sheet undulates slightly. There is a minute loss to the to the extreme upper left corner. There are a few minor creases in places, most notably to the edges. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.
(ii) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. There are artist's pinholes to the extreme upper corners. The sheet undulates slightly. The right vertical edge is perforated. There are a few minor creases in places, most notably to the left vertical edge. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.
(iii) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. There are artist’s pinholes to the extreme corners. There is a minor crease to the lower horizontal edge. The extreme upper horizontal edge is perforated. There is a minor accretion to the upper left corner. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.
(iv) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The sheet undulates slightly. There are artist’s pinholes to the extreme corners. There are pinpoint accretions in places, most notably to the lower left quadrant. There is a minor tear to the extreme upper left and lower right corners, presumably in keeping with the artist's working method. Subject to the foregoing, it is our view that the work appears to be in generally good condition.
(v) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The sheet undulates slightly. There are artist’s pinholes to the extreme corners. There is a minor crease to the upper left quadrant. There is pinpoint lifting to the centre of the extreme upper horizontal edge. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.
(vi) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The extreme vertical edges are deckled. There are artists pinholes to the extreme corners. There is pinpoint lifting to the extreme upper horizontal edge. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.
(vii) Not examined out of frame. The sheet appears to be hinged in places on the reverse to its underlying support. The extreme vertical edges are deckled. There are artist’s pinholes to the extreme corners. There is a pinpoint accretion to the lower horizontal edge, presumably in keeping with the artist's working method. Subject to the foregoing, it is our view that the work appears to be in generally very good condition.
Cost calculator
Lot 68Sale 22001
Untitled MARTIN DISLER (1949-1996)Estimate: GBP 1,000 - 2,000
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