Details
WILHELM SASNAL (B. 1972)
each: Untitled
each: sheet signed and dated 'WILHELM SASNAL 2004' (on the reverse)
ink on paper, in eight parts
(i) 1158 x 1612in. (29.5 x 42cm.)
(ii) 1638 x 2314in. (41.5 x 59cm.)
(iii)-(iv) 2312 x1638in. (59 x 41.5cm.)
(v) 1638 x 2314in. (41.5 x 59cm.)
(vi)-(vii) 1158 x 1612in. (29.5 x 42cm.)
(viii) 1612 x 1158in. (42 x 29.5cm.)
Executed in 2004
Provenance
Sadie Coles HQ, London.
Acquired from the above by the present owner in 2009.
Literature
A. Renton, (ed.), Cranford Collection 02, St Peter Port 2009, p. 142 (installation view illustrated in colour, pp. 70-71; illustrated in colour, pp. 86-87).
Exhibited
Denmark, Louisiana Museum of Art, ON LINE, 2005 - 2006.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
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Lot Essay

Evincing his characteristically detached and graphic aesthetic, Wilhelm Sasnal’s (i)-(viii) Untitled, 2004, is intriguing witness to the contemporary world. The series of intimate drawings are evocative yet ambiguous, and their inky blacks act as a cypher which defies a simple interpretation. Sasnal, whose solo exhibition Such a Landscape opens next year at Warsaw’s Museum of the History of Polish Jews, is inspired by a diversity of images from newspaper photographs to cartoons and album covers, which he then strips down to obscure their origins. Although reductive, these images nevertheless suggest an honest rendering of the humanity. ‘The world [of his] paintings,’ writes critic Adam Szymczyk, ‘is that of an attentive and absent-minded observer of sensory reality, with occasional strands of irony, understatement, falsehood and madness running through it. It is a world cursorily catalogued and recorded in synthetic forms, outlined and named idiosyncratically yet with the use of commonplace vocabulary, quotes from the media, song lyrics, outtakes from reality’ (A. Szymczyk, ‘Sludge’, Parkett, no. 70, 2004, p. 76).
Christie’s is pleased to present Ambassadors of the Now, an exceptional selection of works from a leading collection offered across Day and First Open Online sales in 2021.
Ambassadors of the Now represents the efforts of an important private collection whose mission concentrates on raising arts awareness, supporting and lending to institutions, and nurturing London’s artistic community. Since the 1990s, the collection has constantly evolved, responding to new ideas and movements in art and growing with the artists and institutions it has supported.
Indeed, this collection understands the role of art within the everyday and, over the past two decades, it has worked to represent and amplify a diversity of voices and experiences. Drawing from the significant movements of the 20th and 21st centuries, the art of the collection is united by a courageous aesthetic thesis.
Conceptual works by John Baldessari, Richard Prince and Rirkrit Tiravanija + Superflex make clear the devotion to the vanguard. Such considerations are transmitted through the innovative vocabularies found in the more recent works of Wilhelm Sasnal and Abraham Cruzvillegas, among others. Yet the collection has always been invested in figuration, as seen in Tim Gardner’s hyperreal Friends at Wedding or the dreamy expanses of Justine Kurland’s photographic terrains.
Across the collection, colour is decadent, vibrant, and powerfully emotive. In works by Valeska Soares and Clement Rodzielski, it is a sweeping almost structural force. A similar expressive intensity can be seen in the collection’s considerable photographic holdings by artists such as Jeff Wall, Damián Ortega and Ugo Rondinone. Like these images, the collection too is forward-looking, connected, and incandescent. Coming together in a vivid ensemble, Ambassadors of the Now presents a vision of art’s place in the world and its role as a vehicle of personal expression.

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