Details
YAĞIZ ÖZGEN (B. 1987)
Stars, Dust and Gas near NGC 3572 #3
acrylic on canvas
63 x 5038in. (160 x 128cm.)
Painted in 2022
Provenance
Donated by the artist, courtesy of Sanatorium, Istanbul.
FURTHER DETAILS
The seller of this lot is Istanbul Foundation for Culture and Arts (registered in [63483] (IKSV) with charity number [63483]) and they will receive 100% of their net proceeds of sale (being the aggregate hammer price of the lots less any auction expenses, which will not exceed 5% of the aggregate hammer price of the lots). In addition, Christie’s will donate an amount equal to 2% of the hammer price of the lot from our Buyer’s Premium.
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
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Lot Essay

Fascinated by textual and photographic research on celestial bodies, Yağız Özgen’s visual analysis of online astronomical resources explores the complex relationships between objects and symbols, movement and descriptions, language and the universe.

Translated onto canvas from an image captured by cutting-edge telescopes and made available online, Özgen’s methodical application of acrylic paint deconstructs the NASA-supported web archive entitled Astronomy Picture Of The Day. Stars, Dust and Gas near NGC 3572 #3 is created using the dominant colours of an image of NGC 3572, an open cluster of stars in the Carina constellation. Performed through an artistic lens, Özgen reassembles the chromatic atmosphere of an astronomical scene not usually visible to the naked eye. The result is one of rich, incandescent colour that depicts hundreds of light-years in distance across the orderly grid of a pixelated formation whose colour gradients and relationships echo Paul Klee’s celebrated colour-theory works and maxim: ‘colour is the place where our brain and the universe meet’.

Yağız Özgen was admitted to the Painting Department of Marmara University’s Fine Arts Faculty in 2005 and, following a master’s dissertation on the British director and video artist Chris Cunningham, has since completed his PhD from the same institution. While continuing to teach theoretical courses at the university, Özgen has held four solo exhibitions at Sanatorium, Istanbul: C://Still_Life (2011); Spectrum (2012); Metadata (2015) and most recently, Instructions(2019).

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