WORKS OF ART FROM THE DAVID AND ROSE ROWSE COLLECTION (LOTS 1-89) Christie’s is delighted to offer this remarkable collection of English Furniture, Old Master Paintings, Modern British Art and Antiquities, formed under the discerning eye of David Rowse. Born to the celebrated architect Herbert Rowse who designed the Mersey Tunnel, he had originally intended to follow in his father’s footsteps but after studies at King’s College, Cambridge and serving as a Lieutenant in the Royal Navy, he pursued a career in publishing. He founded firstly the magazine-publishing house Rowse Muir in 1949, followed by London Information in the early 1960s, a weekly publication which was the forerunner of the now-acclaimed Time Out magazine, and ended his career at the forefront of electronic publishing. He was always ahead of his time. Above everything, however, was his passion for collecting, whether it was the celebrated cabinet-makers of eighteenth-century England such as Benjamin Goodison and Thomas Chippendale, or his great passion for Antiquities and sculpture – he kept meticulous records, was always learning and was a recognisable figure, for many years, in the London salerooms, where many of these works of art were purchased. Not to be constrained by one area of connoisseurship, David, and his wife, the interior designer Rose Underdown’s collection is almost polymathic, covering all areas of artistic creation continuing to the present day with the fluid and vibrant Plazzotta bronze which took centre-stage in their London drawing room. David was also greatly interested in philately, on which he wrote three books, including a seminal work on the eponymous ‘Penny Black’ stamp and its so-called ‘Rainbow Trials’. Another passion, was sailing, which is represented not only in the maritime paintings, but also in the ship models which David collected. These works of art, chosen with care and cherished over the last thirty years represent David and Rose Rowse’s great interests and passions; portraiture, craftmanship and the classical world, resulting in a fusion of styles and eras, but with an overarching thread of the curious, the beautiful and the intriguing.
A PAIR OF ENGLISH CREAM-PAINTED AND PARCEL-GILT OPEN ARMCHAIRS
ONE CIRCA 1800, THE OTHER LATER
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Estimate
GBP 4,000 - GBP 6,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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A PAIR OF ENGLISH CREAM-PAINTED AND PARCEL-GILT OPEN ARMCHAIRS
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
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The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
In fairly good country house condition overall. With the inevitable knocks, marks, losses, scratches and shrinkage cracks, consistent with age and use. As stated redecorated - the current decoration with extensive rubbing, flaking and losses throughout and overall these chairs would benefit from sympathetic restoration or redecorating. The gilding refreshed - formerly ebonised and parcel-gilt. Evidence of historic, but apparently inactive, woodworm to both - particularly to the rails. The caned seats replaced and in good sound condition. The later squab cushions in fair condition but rather faded and tired overall. Highly decorative and structurally secure.
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Lot 1Sale 21044
ONE CIRCA 1800, THE OTHER LATERA PAIR OF ENGLISH CREAM-PAINTED AND PARCEL-GILT OPEN ARMCHAIRSEstimate: GBP 4,000 - 6,000
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