The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, each the full sheet, the title page stained, occasional wear and surface soiling to the portfolio case

Segal, Woman Brushing her Hair: screenprint in colors, on thick red wove paper, signed and dated '64' in pencil, inscribed 'POLESKIE / IMP' in ink
occasional very soft scuffs and soft handling creases in places, occasional areas of discoloration at the extreme right sheet edge
Sheet: 22 x 17 in. (560 x 432 mm.)

Wesselmann, Still Life: embossed print, with pencil additions, signed and dated '65' in pencil, with the Joan Farrar blindstamp
pale time staining, occasional very pale surface soiling in places, three small areas of discoloration at the lower sheet edge (at center)
Sheet: 17 x 22 in. (432 x 560 mm.)

Krushenick, James Bond Meets Pussy Galore: screenprint in colors, on thick smooth wove paper, signed and dated '1964' in pencil, inscribed 'POLESKIE / IMP' in ink
occasional soft scuffs in places in the matte ink
Sheet: 22 x 17 in. (560 x 432 mm.)

Kulicke, Dum-Dum Roses: screenprint in colors, with hand-varnish, on graph paper mounted to wove paper (as issued), signed and dated '64' in pencil in the image and signed again in pencil on the mount
pale time staining, the adhesive very slightly showing through in the upper right image corner
Sheet: 22 x 17 in. (560 x 432 mm.)

Anuskiewicz, Diamond Chroma: screenprint in colors, on thick wove paper, signed and dated '1965' in pencil
Sheet: 22 x 17 in. (560 x 432 mm.)

Dine, Self Portrait (Galerie Mikro 26): etching, on Arches paper, signed and dated '1964' in pencil
pale time staining, occasional soft handling creases and pale surface soiling in places, soft creasing at the extreme upper sheet edge
Image: 17⁵⁄₈ x 14 in. (450 x 352 mm.)
Sheet: 22 x 17 in. (560 x 432 mm.)

Frankenthaler, Air Frame (H. 6): screenprint in colors, on thick wove paper, signed and dated ''65' in pencil
occasional soft scuffs in places, a soft crease at the extreme lower right sheet edge (with associated very minor ink loss)
Sheet: 22 x 17 in. (560 x 432 mm.)

Levinson, Untitled #1 1964: screenprint, on acrylic and wove paper, signed in pencil
the acrylic detached from the original mount, uneven mat staining to the sheet, adhesive remains and surface soiling in places
Overall: 22 x 17 in. (560 x 432 mm.)

Oldenburg, Flying Pizza (A. & P. 33): lithograph in colors, on Rives BFK paper, signed in pencil
pale time staining, occasional soft handling creases in places, areas of discoloration at the extreme lower sheet edge (at center)
Sheet: 17 x 22 in. (432 x 560 mm.)

Lichtenstein, Seascape (C. 36): screenprint in blue and white, on laminated plastic, signed in ink on the reverse
soft unobtrusive scuffs in places to the matte ink
Sheet: 17 x 22 in. (432 x 560 mm.)

Please note this lot consists of ten unframed prints contained within their original portfolio case.