Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
German artist Markus Amm creates photograms, sculptures, paintings, collages and drawings that riff upon the language of modernist abstraction. Executed in 2002, the present work layers tape, enamel, edding and pencil on plywood, creating a witty tension between its rigorous geometric composition – evocative of Russian Constructivism and Bauhaus design – and its base, ephemeral materials. ‘You can’t act as though modernism can be reinvented’, argues Amm. ‘… Humour and irony are perhaps a good way to approach it. I wasn’t interested in holy values that lay claim to a final and timeless beauty. I don’t believe in that; on the contrary. When I approach modernism it means breaking with all these clichés.’ Over the past decade, Amm has staged solo shows at institutions including the Kunstmuseum Stuttgart, the Sammlung Lenikus, Vienna and the Kunsthaus Baselland, Basel.
Related Articles
Sorry, we are unable to display this content. Please check your connection.
More from
Handpicked: 100 Works Selected by the Saatchi Gallery
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The work is structurally sound. All collage elements are present and adhere well to their underlying support. There is slight rubbing to the extreme corners. Subject to the foregoing, it is our view that the work appears to be in generally good condition.