Lot 75
Lot 75
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Peter Buggenhout (b.1963)

Gorgo #4

Price Realised GBP 4,750
Estimate
GBP 3,000 - GBP 5,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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Peter Buggenhout (b.1963)

Gorgo #4

Price Realised GBP 4,750
Register
Price Realised GBP 4,750
Register
Details
Peter Buggenhout (b.1963)
Gorgo #4
blood, pigment, iron, wood, paper and glass
3258 x 5814 x 3614in. (83 x 148 x 92cm.)
Executed in 2005
Provenance
Irena Hochman Fine Art, New York.
Acquired from the above by the present owner in 2008.
Exhibited
London, Saatchi Gallery, The Shape Of Things To Come: New Sculpture, 2011 (illustrated in colour, p. 286).
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
VAT rate of 20% is payable on hammer price and buyer's premium
Please refer to the storage and collection terms as set out in the terms and conditions.
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Brought to you by
Tessa Lord
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

Belgian artist Peter Buggenhout is celebrated for his enigmatic sculptural creations, which confront the viewer like relics from another world. Forged from a variety of organic and manmade waste products, his works draw inspiration from biblical, mythological and philosophical narratives, seeking to evoke the chaos of human existence. Created using iron, wood, paper and horse hair saturated with pig’s blood, the present work stems from his Gorgo series, begun in 2005. Its title refers to the three Gorgons of Greek mythology, who had the ability to turn anyone who looked at them into stone. Medusa – the most famous of the trio – was defeated by Perseus, who used a looking glass so as not to meet her gaze. In Buggenhout’s creation, the myth becomes a metaphor for art’s capacity to hold a mirror up to life: a means of defence, he believes, against the horrors of reality. Shown at the Saatchi Gallery in 2011, his Gorgo sculptures were the subject of an exhibition at the Musée de la Chasse et de la Nature, Paris, in 2014, and have subsequently featured in a number of his solo shows. His works are held in public collections including the Centre Georges Pompidou, Paris, and the Diechtorhallen, Hamburg.

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Condition report

A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

View Condition Report