Details
HOWARD TERPNING (B. 1927)
Mystery of the Human Spirit
signed and dated '©/Terpning/1997 CA' (lower right)—signed again and inscribed with title (on the reverse)
oil on masonite
30 x 24 in. (76.2 x 61 cm.)
Painted in 1997.
Provenance
The artist.
Phoenix, Arizona, Phoenix Art Museum, Cowboy Artists of America, Annual Sale & Exhibition, 1997, sold by the above.
Acquired by the present owner from the above.
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Lot Essay

Mystery of the Human Spirit reveals Howard Terpning at his most contemplative spiritually and atmospherically. Over the course of his career, Terpning became one of the most important figures in contemporary Western art, known for the extraordinary care and historical research he brought to his depictions of Native American culture. Following his initial success as an illustrator and poster artist, he ultimately devoted himself almost entirely to painting the peoples and traditions of the American West. In the present work, Terpning moves beyond straightforward historical representation, creating something quieter and more contemplative. As the artist himself explained, “As the reflective look developed on the man’s face in the painting, the title came to me, and it just seemed to fit the mood of the painting. Certainly, the human spirit is a mystery to all of us and that mystery has nothing to do with the color of a man’s skin.”

The figure is shown seated in profile, wrapped in heavy animal hides that root him both physically and symbolically to the landscape of the Plains. Terpning heightens the painting’s mood through a remarkably diffused surface. The furs dissolve into hazy passages of pale rose, cream, muted blue, and weathered gray, creating an almost dreamlike atmosphere around the sitter. Rather than placing the figure within a specific historical setting, Terpning situates him within a timeless space that feels suspended between memory and spiritual reflection. In doing so, the subject begins to transcend specificity, inviting reflection on a more universal interior life. The feathered headdress rises into this softly worked background, its loose, painterly handling emphasizing rhythm and silhouette over rigid detail. Earth-driven ochres, warm browns, and smoke-blue tones dominate the composition, while subtle accents of turquoise beads and feather details animate the surface.

Such attentiveness to both material and ceremonial detail is central to Terpning’s oeuvre. Clothing, hides, featherwork, and adornment are rendered with the same sensitivity and historical specificity that distinguishes his work more broadly. Through stillness, diffused light, and softened form, Terpning turns inward, allowing the figure to embody not only cultural presence, but the quiet, elusive nature of the human spirit itself.

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