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ÉMILE CHAMBON: LE SURRÉALISME POÉTIQUE PROPERTY FROM A NEW YORK COLLECTION
Émile Chambon (1905-1993)

Le Cauchemar

成交價 GBP 20,000
估價
GBP 14,000 - GBP 20,000
估價並不反映實際成交價,亦不包括買家應付酬金、任何適用稅項或藝術家轉售權。詳情請瀏覽業務規定D部。
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Émile Chambon (1905-1993)

Le Cauchemar

成交價 GBP 20,000
登記
成交價 GBP 20,000
登記
詳情
Émile Chambon (1905-1993)
Le Cauchemar
signed and dated 'E.CHAMBON 62' (lower left); signed again, dated and inscribed 'E.Chambon 1962 « Le cauchemar » (Josiane B. Carouge)' (on the reverse)
oil on board
43 ¼ x 31 3/8 in. (109.8 x 79.9 cm.)
Painted in Carouge in 1962
來源
Galerie Alain Blondel, Paris.
Acquired from the above by the present owner.
出版
P. Clerc, Émile Chambon, La magie du réalisme, Paris, 2011, p. 119, fig. 125.
特別通告
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
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榮譽呈獻
佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。
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拍品專文

Sold with a photo-certificate from the Fondation Émile Chambon.

'... while figurative, the art of Chambon does not merely adhere to tradition. It is the art of a man, a man who had been invited down contemporary paths and who had deliberately renounced the escapes which they allow. He created a dense oeuvre, captivating, that has sometimes been compared to that of Balthus, where the temptations of escaping through abstract were overcome with sovereign control' (Anne-Marie Burger).

A great admirer of Gustave Courbet, Caravaggio and Felix Vallotton, Swiss artist Émile Chambon remained a figurative painter throughout his life. He always refused to be part of a particular artistic group and developed his own unique aesthetic.

Chambon constructs in his paintings a unique, surreal universe, depicting palpable atmospheres of tension, executed with precision and rigour. There is an apparent dualism in his subjects which are at once silent and dangerous, sinister and sweet, intimate and public, with shadows and inferences revealing unexpected clues in each composition.

Dreams and a surreal sense of voyeurism recur as themes in Chambon’s oeuvre. The tightly constructed composition, light, shadow, flat planes and the dark and rich palette are all carefully chosen by Chambon to communicate the tense atmosphere, an encounter that remains unexplained.

This group of paintings were painted in the 1950s and 1960s when Émile Chambon’s style reached its maturity and became recognised by the public, having major exhibitions in Switzerland and Paris. This group comes to sale from the same New York collection.

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