Details
ILLUSTRATION FROM AN USHA-ANIRUDDHA SERIES
CENTRAL INDIA, SECOND HALF 18TH CENTURY
Opaque pigments heightened with gold on paper, depicting five different scenes within the palace of Agnigarh ("house of fire"), Usha and her retainers discussing her dream and painting Aniruddha, Aniruddha and Usha reclining on bolsters, the fight between Banasura and Krishna and Shiva pleading in the favour of Bana, the reverse with 15ll. of black devangari script
10 1/8 x 15¾in. (25.8 x 40cm.)
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Lot Essay

Banasura had a beautiful daughter named Usha. Though a number of proposals came for her marriage, Banasura accepted none. Afraid that Usha might fall in love with a man other than his choice, he kept Usha in a formidable fortress called Agnigarh ("house of fire") with her friends. One night Usha saw a young man in her dream and fell in love with him. Using the supernatural talents of her friend Chitraleka, they drew a portrait of the man and Chitraleka identified him as Aniruddha, grandson of Lord Krishna. Chitrakela used her supernatural powers to abduct Aniruddha and bring him to Agnigarh, where they were married secretly.
When it was discovered that Aniruddha had been abducted, his grandfather Krishna, granduncle Balarama, and father Pradyumna went to his rescue and battled Banasura. When Krishna was about to kill Bana, Shiva intervened and asked Krishna to show him mercy. In one painting, Bana shows obeisance to Krishna, and in the other the two embrace in mutual respect. Therefore, though Bana was defeated, his life was spared at the intercession of Shiva, and Aniruddha and Usha returned to Dwarka where they lived as man and wife.

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