Details
414 in. (10.8 cm.) high
Provenance
Jacques Marchais Collection, New York.
Collection of Alfred Byrd Graf, California, acquired 2 March 1951.
Literature
Himalayan Art Resources, item no. 25139.
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Lot Essay

Vajrabhairava, a major meditational deity in Tibetan Buddhism, is a fearsome incarnation of Manjushri, the God of Wisdom. he embodies the power to conquer death. His representations can range from intricate forms with numerous heads and arms to simpler ones with just a single face and two arms. In this present lot, Vajrabhairava is depicted with multiple arms in a dynamic position, with his multiple heads craned.
Vajrabhairava also became a prominent Buddhist icon in China under the Qing emperors, who maintained direct links with the dignitaries of the Gelugpa sect, including the Dalai and Panchen Lamas. This form of Buddhism flourished within China under Qing rule, inspiring the construction of numerous temples in and around the capital of Beijing. In the eighteenth century, the Qianlong Emperor promoted himself as a manifestation of Manjushri, establishing his role as a spiritual and political leader. Images of Vajrabhairava, therefore, carried both religious and political implications, promoting Gelugpa spiritual practice while simultaneously endorsing the heavenly mandate of the emperor.

The present lot hails from the collection of Alfred Byrd Graf (1901-2001), a renowned German botanist and world traveler, dedicated his life to horticulture and plant exploration. He discovered over 100 new plant species, including notable varieties of Dracaena, Sansevieria, and the first white African violet, meticulously documenting them in an illustrated book series. Throughout his career, he embarked on numerous expeditions across the continents, seeking new species from New Guinea to Mount Kilimanjaro -- “a wall in [his home] displayed a map of the world with a pin dot for every place he and his wife, had gone plant hunting. Few areas were left dotless” (W. Saxton, Alfred Graf, 100, Botanist and Author of Plant Books, New York Times, 2002.). Byrd is known to have savored the ornamental usage of plants in Asia and had a deep appreciation for accompanying local sculptural and craft traditions.

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