The painting likely portrays the scene right before the exile of Rama. The folio depicts Rama, Sita and Lakshmana heading to their chariot and waving farewell to two groups of people, one consisting of seven figure and the other of ten. The group of seven is likely the sages, led by Vashishtha and Vishvamitra, who are particularly crucial to the family. The group of ten figures is not identifiable; however, it is certain that Bharata and Shatrughna are not included in the group, as the two brothers are away from Ayodhya visiting their grandfather. The chariot is driven by Sumantra, who patiently waits for the three to board.
The style of the painting is discernibly Nepalese, particularly because of the bright palette consisting of generous use of red and its stark contrast with light sky blue. A folio from the Bhagavata Purana series at the Metropolitan Museum of Art, New York (Acc. No. 2019.64), exemplifies the signature Nepali aesthetics. Set against a simplified landscape, the scene focuses on the depiction of human figures. The intricacy of their attire contrasts with the simplicity of the perspective, naturally drawing the viewer’s attention to the figures and engaging them in their conversations. Another folio from the Nepalese Bhagavata Purana series sold at Christie's New York, 23 March 2022, lot 481 for $151,200.