The present figure is seated on a lotus base in dhyanasana and poses his hands in dharmachkramudra. The pointed red cap with pendent lappets, together with a three-piece robe, identify him as an adept teacher from the Sakya tradition of Tibetan Buddhism. The cap is known as a pandit’s hat, and was worn by Indian scholars of the great Buddhist monastic university, Nalanda. The Sakya sect, founded in Tibet in the eleventh century, carries on this tradition. While it is clear that the present figure is a Sakya hierarch or part of an important incarnation lineage within the tradition, it does not bear an inscription or identifying iconography and cannot be identified further.
Wide-set, piercing eyes, inlaid with shining silver, give the present Sakya lama an awakened aura. The casting is extremely fine and reminiscent of a style associated with Central Tibet. The modelling of the face and lotus petals, as well as the alloy tone, are strikingly similar to two published examples illustrated by H. Stoddard and D. Dinwiddie in Portraits of the Masters: Bronze Sculptures of the Tibetan Buddhist Lineages, Chicago, 2003, p. 234, pl. 58, and in B. Chen, Cang Chuan Fo Jiao Wen Hua Yi Shu / Sattva & Rajas: the Culture and Art of Tibetan Buddhism, Taipei, 2010, p. 99.
Compare the present lot to a Sakya Lama figure sold at Sotheby’s New York on 24 March 2011, lot 67.