The juggler

Name: LEONARD CAMPBELL TAYLOR, R.A. (1874-1969)
Brand: The juggler
Price: 13000.00 GBP
Availability: SoldOut

Price Realised GBP 16,380

Estimate

GBP 10,000 - GBP 15,000

Closed: 14 Jul 2022

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LEONARD CAMPBELL TAYLOR, R.A. (1874-1969)

The juggler

Price Realised GBP 16,380

Closed: 14 Jul 2022

Price Realised GBP 16,380

Closed: 14 Jul 2022

Details Lot Essay More from

LEONARD CAMPBELL TAYLOR, R.A. (1874-1969)
The juggler
signed, inscribed and dated 'LEONARD/ CAMPBELL/TAYLOR .1901 / op.11' (on a cartolino, lower left) and further signed, inscribed and dated 'Received of Captain. R. Soames/The Sum of Seventy/Pounds in payment for/Picture entitled/"The Juggler"/L. Campbell. Taylor./March 7 1902/With Thanks./61 Broadhurst Gardens/London N.W.' (on an old label on the reverse)
oil on panel
9 x 13 in. (22.8 x 33 cm.)

Captain K. Soames, 1902.
Private Collection, UK.
Anonymous sale; Christie's, London, 6 November 1995, lot 204, where purchased by the present owner.

H. Blackburn (ed.), Royal Academy Notes, London, 1902, p. 27.

London, Royal Academy, 1902, no. 566.

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
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Lot Essay

Born in Oxford, the son of the organist at New College, Campbell Taylor attended the Ruskin School before proceeding to the St John's Wood Art School and the Royal Academy Schools, which he entered in 1905. He had begun to exhibit at the RA in 1899, and was to show there regularly until his death seventy years later. Specialising in genre scenes, interiors and portraits, he developed a style which owed a marked debt to Vermeer, but the present picture, which was exhibited at the RA in 1902, three years before he entered the Academy Schools, belongs to a group of early works which betray a very different influence, that of oriental art. Henry Blackburn described it in his as representing 'a Japanese party', while another picture exhibited the same year, (no. 559), showed 'two Japanese warriors fighting in a forest about a woman.' For a discussion of Taylor's early paintings in this oriental mode, see Herbert Furst, , 1945, pp.50, 55.