Details
FORMERLY IN THE COLLECTION OF SOAME JENYNS, DEPUTY KEEPING OF ASIAN ANTIQUITIES, BRITISH MUSEUM (1950-1968)

Three Arita Dishes
Edo period (late 17th century)
Each of shallow form decorated in underglaze blue; the first dish with the central roundel enclosing a ho-o bird in flight and another perched on a rock amongst camellia and pomegranate, the six radiating border panels at the rim alternately enclosing stylised bamboo with plum and peony, divided by narrow bands of floral karakusa

The second dish with the central roundel enclosing a landscape of a pavilion, trees, rocks and water, two boats and mountains in the distance, surrounded by a broad border depicting mountains, huts and a willow tree

The third dish with the central roundel enclosing a landscape of pavilions, trees, rocks and a bridge over the water, mountains in the distance, the four radiating border panels at the rim enclosing similar landscape, divided by auspicious objects, the reverse with stylised foliage
27.8cm., 32.7cm. and 27.5cm. diam.
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Lot Essay


The porcelain in the second half of the seventeenth century ordered by the Dutch from Deshima Island were copied from Chinese Wanli 'kraak' porcelain. With the collapse of the Ming Dynasty in China in 1644 Holland's great source of supply of Wanli blue and white 'kraak' porcelain suddenly came to an end, and as a consequence the Dutch turned their attention to Japan. From about 1660 to 1700 a great variety of shapes and designs were exported to Batavia. The 'kraak' style is mainly characterised by a central floral or animal motif surrounded by a radiating segmented border.

Provenance:
Soame Jenyns, Deputy Keeper of Asian Antiquities, British Museum (1950-1968)

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