詳情
Seed pearls, circular-cut diamond, opening to reveal two circular recesses, both with removable glass covers, circa 1890/1900, fitted heart-shaped case; Pearls, old and circular-cut diamonds, platinum and gold, circa 1910, signed Pickslay & Co., red Robert Douglas case

Size/Dimensions: locket 2.7 cm, chain 43.5 cm; broch 5.1 cm
Gross Weight: 13.8 grams
來源
Romana von Hofmannsthal McEwen (1935-2014)
Thence by descent
特別通告
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
榮譽呈獻
Henry BaileyHead of Department, London
佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。

拍品專文

JEWELS OF MEMORY
By Nicky Haslam

Beautiful jewels can bring back quiescent memories as vividly as a distant song, or that once-savoured madeleine. Whether they have intrinsic value, a fascinating history or romantic connotations, it is the sudden perception of the wearer that stirs the heart. This is the case, for me, with many of the exquisite pieces shown on these pages, as they belonged to my most beloved friend, Romana von Hofmannsthal. And they descend, ultimately, from her lineage with that fabled New York family, the Astors.

Romana’s mother, Alice Astor, was a mere teenager when her father was lost on the Titanic. This tragedy may have guided her to spurn the over-opulent diamond negligees or pearl stomachers of that Gilded Age, and set her natural taste veering towards the more sophisticated and intellectual in her houses, clothes, jewels, and indeed her husbands, Russian, Austrian and fastidious Englishmen among them.

Her Nilotic profile - she was rumoured to have Native American blood - and slender limbs (‘Alice’s wrists begin at her elbows’ as Cecil Beaton wrote) were the ideal surface for the more ‘barbaric’ stones she preferred; uncut, unpolished and simply set, and created by the young European jewellers she befriended - Fulco Verdura, Boivin, Paul Flato among them - and indeed encouraged; some of the former’s work is included here, among other more traditional pieces from Alice’s Astor forebears and contemporaries.

Romana, by now herself married to the painter Rory McEwen, needed no gleaming adornment to her honeyed beauty, and wore these things, whether at ceilidhs in the Highlands or balls at the Palace, with a gay insouciance and humour, but with deep family pride, loving their story as much as their worth. Perhaps her favourite was the golden and diamond brooch (‘It works on anything’ she’d say) that family tradition maintains was made, though unsigned, by that most original of jewellers, Verdura, for Alice. Given their deep friendship there seems no reason to presume differently. And anyway, something so ravishing, as with the other historic pieces, are incomparable treasure which can imbue the wearer with the unforgotten, and unforgettable, aura that sets alight the heart’s emotion.

Post Lot Text

Please note that the pearls have not been tested for natural origin.

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