DIVINE SPLENDOR: SPANISH COLONIAL ART FROM THE COLLECTION OF JAMES LI
ANONYMOUS (ANDEAN, 18TH CENTURY)
Immaculate Conception and the Holy Trinity
Important information about this lot
Price Realised USD 113,400
Estimate
USD 10,000 - USD 15,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
The proliferation of the image of the Immaculate Conception on a great scale occurred during the Baroque era (1600 to 1750) in Europe. Indeed, the depiction of the Holy Virgin was the Roman Catholic Church’s most potent visual emblem during the Counter-Reformation in response to the rise of Protestantism which began in Germany and spread shortly thereafter throughout most of Northern Europe. The Counter-Reformation was a period of great spiritual revival which sparked a remarkable and exuberant artistic production in Western Europe but also the Spanish colonies across its expansive empire in the Americas and Asia.
In Spain, where the Immaculate Conception became a locus of devotion by the early seventeenth century, numerous artists including Bartolomé Esteban Murillo, and Juan de Valdés Leal among others, played a central role in disseminating an icon that followed the teachings of the Church. As well, other European masters rendered the subject with grand eloquence such as Guido Reni, Jusepe Rivera and Peter Paul Rubens, whose dynamic paintings were widely available through prints in the Spanish colonies. The vision that gained favor was one that relied upon the prevalent iconography and compositions that had emerged from the various schools of painting in Spain and prints from masters like Rubens who portrayed the Virgin crushing the snake beneath her feet triumphantly. Equally important were the paintings done in the local workshops established by able Spanish and masters who began to arrive in the late 1530s to train indigenous talent and displayed subtle yet fresh understanding of the theme. The anonymous 18th century Andean artist has depicted the Immaculate Conception with the Holy Trinity as she rests in a cloud of glory surrounded by seraphim and cherubim. Her splendor is almost blinding as the artist defines the heavenly realm in a dazzling display of white and gold tones. The faithful on earth look up to her while in Heaven, the Holy Trinity—God the Father, Her Divine Son and the Holy Spirit, welcome her entry.
Related Articles
Sorry, we are unable to display this content. Please check your connection.
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The work is in overall stable condition. Slight paint loss seen throughout due to the age of canvas. A small patch located approximately 18 inches from left edge and 10 inches from upper edge is noted on the painting's reverse. A possible restored area is noted on the left quadrant of the painting at center. The paining is wax lined.
Cost calculator
Lot 2Sale 22657
Immaculate Conception and the Holy TrinityANONYMOUS (ANDEAN, 18TH CENTURY)Estimate: USD 10,000 - 15,000
Enter your bid amount for an estimated cost
Bid amount
Please enter numbers onlyAmount must be higher than the starting bidAmount must be higher than the current bid