The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Oil on canvas, the canvas is unlined. The varnish is slightly yellowed. In natural light no obvious damages or retouchings visible. The original impasto and pigments appear to be beautifully preserved. Overall the painting appears to be in very good and authentic condition. Inspection under ultra violet light reveals very minor cosmetic retouchings in the corners possibly covering pinholes. Varnish lights up green making a more detailed reading difficult.
For further enquiries please contact Sophie Bremers of the 19th Century Art Department at sbremers@christies.com.
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