The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The panel consists of one sheet of wood. The panel is straight and bevelled on all four edges. The varnish is slightly discoloured and minor surface dirt is visible. In natural light no obvious damages or retouchings can be detected, except for a few minor scattered cosmetic retouchings. Frame abrasions visible along the edges. The original impasto and pigments appear to be nicely preserved. Overall the painting appears to be in good and authentic condition. Inspection under ultra violet light reveals the aforementioned retouchings. Varnish lights up green making a more detailed reading difficult.
For further enquiries please contact Sophie Bremers of the 19th Century Art Department at sbremers@christies.com.
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