Lot 119
Lot 119
CHARLES WAUTIER (MONS 1609-1703 BRUXELLES)

Le triomphe de la Sagesse

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EUR 15,000 - EUR 25,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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CHARLES WAUTIER (MONS 1609-1703 BRUXELLES)

Le triomphe de la Sagesse

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CHARLES WAUTIER (MONS 1609-1703 BRUXELLES)
Le triomphe de la Sagesse
inscrit, signé et daté '....... Sapientia fulget / In** ; tenebris latet Ignoratia vilis. [Le savoir illumine tandis que le domaine de l'ignorance est l'obscurité] / CARLVS WAVTIER . FECIT / 1678' (en bas, à gauche)
huile sur toile
59 x 79 cm (2314 x 3118 in.)
Provenance
Collection Otto G. Mayer-Schöllkopf, Stuttgart ; sa vente, Alte und Neue Kunst, Munich, 6 et 7 décembre 1926, lot 104.
Collection particulière, Athènes, depuis 1960.
FURTHER DETAILS
CHARLES WAUTIER (1609-1703), THE TRIUMPH OF WISDOM, OIL ON CANVAS, INSCRIBED, SIGNED AND DATED

The Wautier siblings are emblematic of the Brussels school of painting in the mid-17th century. Charles (1609-1703), who signed the present painting, and his sister Michaelina (1604-1689) were born in Mons, capital of the county of Hainaut, into a family that held important administrative and military positions in the southern Netherlands. Around 1633-1634, the young Charles moved to Brussels, from where he may have travelled to Italy, France and Madrid (K. Van der Stighelen, Michaelina Wautier 1604-1689. Glorifying a Forgotten Talent, [cat. exp.], Antwerp, 2018, p. 12 and p. 22). After becoming a member of the Guild of Saint Luke in 1651, he acquired a certain reputation as a portraitist among the great families of the Southern Netherlands, such as the Ligne and Mérode families, and was also commissioned by the future James II of England (1633-1701), then Duke of York, whose portrait is held in the English royal collections (inv. no. RCIN 402572) (id., pp. 148-149).

This painting is remarkable for the originality of its allegorical subject - highlighted by the inscription in the lower left-hand corner of the composition - as Charles Wautier's output was mainly focused on religious compositions and portraiture.
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Bérénice VerdierAssociate Specialist
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