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MARC CHAGALL (1887-1985)

L’Ecuyère

成交价 GBP 52,920
估价
GBP 30,000 - GBP 50,000
估价并不反映实际成交价,亦不包括买家应付酬金、任何适用税项或艺术家转售权。详情请浏览业务规定D部。
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MARC CHAGALL (1887-1985)

L’Ecuyère

成交价 GBP 52,920
登记
成交价 GBP 52,920
登记
详情
MARC CHAGALL (1887-1985)
L’Ecuyère
signed 'Marc Chagall' (lower right), inscribed 'Epreuve litho rehaussée à la main' (lower left)
lithograph in colours hand-coloured in pastel, on wove paper
Executed in November 1964
Sheet 761 x 564 mm.
出版
see Mourlot 419
更多详情
The Comité Marc Chagall has confirmed the authenticity of this work.
特别通告
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
拍卖场通告
Please note that the starting bid has been lowered to £26,000.
荣誉呈献
Murray MacaulayHead of Department
佳士得专家或会联络阁下,以商讨此拍品,又或于拍品状况于拍卖前有所改变时知会阁下。浏览状况报告

拍品专文

The present lot is a rare proof extensively hand-coloured by the artist in pastel and gives a fascinating insight into the artist's creative process. The master printer Charles Sorlier, with whom Chagall collaborated at the legendary Imprimerie Mourlot from the early 1950s until his death in 1985, described the artist’s method in making lithographs as follows:

Chagall normally begins the process of producing a lithograph by drawing a composition in black on stone, zinc or transfer paper…The black is nearly always the complete skeleton of the work. After printing some proofs, he adds colour, in watercolour or pastel, thus permitting himself a choice between several versions. The maquette established, Chagall then executes the principal plates.
Next he and I do our colour tests at the printing press, tests which are subsequently submitted to him. He nearly always goes over them again, correcting them and adding other tones. New trial proofs are usually necessary before the definitive adjustments. Only when he finds the proof entirely to his satisfaction does he sign the order to print [the edition]." (C. Sorlier, Chagall Lithographs, 1974-79, Monte Carlo, 1984, p. 12).

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