Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
This lot is offered by Christie Manson & Woods Ltd
Christie Manson & Woods Ltd
8 King Street, St. James's, London, SW1Y 6QT, United Kingdom
Phone: +44 (0)20 7839 9060
Fax: +44 (0)20 7839 2869
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Lot Essay
A pioneer of Egyptian social realism, artist Hamed Ewais depicts in his work the embodiment of the Egyptian working class and the evolving revolutionary spirit post-1952 under President Gamel Abdel Nasser’s Pan-Arab regime. Ewais’ subjects are larger-than-life, thick-boned peasants, fisherman, labourers and factory workers, figures who would serve the nation on their path to national development. Ewais’ distinctive style evokes the personification of strength in his depictions of muscular figures within his compositions. The present work of hard-working labourers at rest is a strong and poignant example echoing a time of industrialised growth but also restrictions, as conveyed by the dense and compact composition. Another iteration of the composition is found in the Museum of the Faculty of Fine Arts, Helwan University, in Zamalek.
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You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The canvas, stretcher and attachments are in fair condition. Pinpoint areas of paint loss and craquelure are visible in places throughout with slight undulation to the canvas to the left quadrant. Slight impact to the canvas to the lower centre edge. When examined under UV, hairline areas of inpainting fluoresce to the faces and hand of the central figure, and within the upper right quadrant. Subject to the foregoing it is our view that the work is in fair condition.