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This lot is offered by Christie Manson & Woods Ltd
Christie Manson & Woods Ltd
8 King Street, St. James's, London, SW1Y 6QT, United Kingdom
Phone: +44 (0)20 7839 9060
Fax: +44 (0)20 7839 2869
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Lot Essay
A pioneer of Sudanese modernism, Hussein Shariffe was an acclaimed poet, painter and filmmaker whose expansive body of work crosses both European and African circles. Shariffe was an affiliate of the Khartoum School, a highly influential artistic movement that sought to incorporate modern abstraction with traditional Sudanese forms. Founded in 1960 by the artists Ahmed Shibrain, Kamala Ishagq and Ibrahim El-Salahi, their work spanned a larger transnational collective of artists and writers from the 1950s to 1970s involved in de-colonisation projects, such as Nasser’s Pan-Arabism.
Educated at Victoria College in Alexandria, Shariffe studied modern history at the University of Cambridge, before joining the Slade School of Fine Art where he studied under Lucien Freud; he had his first exhibition at the iconic Gallery One, London in 1957. In 2016 the Sharjah Art Foundation, UAE held the retrospective exhibition The Khartoum School – The Making of the Modern Art Movement in Sudan (1945-present) celebrating Shariffe's paintings alongside other Sudanese artists from the period.
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Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The work is structurally sound. There is some minor rubbing in places with associated pinpoint paint losses, predominantly to the extreme edges. There is one pinpoint paint loss to the lower left quadrant. There are a few faint abrasions to the lower horizontal edge, only visible under strong raking light. When examined under ultraviolet light there are a few areas that fluoresce unevenly Subject to the foregoing, it is our view that the work appears to be in generally good condition.