详情
Each with impressed rope patterns inlaid in slip, the group comprising:
A large hexagonal bowl, impressed mark of Shimaoka Tatsuzo to base
A rectangular footed vessel, impressed mark of Shimaoka Tatsuzo to base, made Mashiko, 1974
A deep hexagonal vessel with circular opening, impressed mark of Shimaoka Tatsuzo to base
A rectangular box and cover
23.5 cm. (9¼ in.) wide, 13 cm. (5⅛ in.) wide, 15.2 cm. (6 in.) wide, and 9.2 cm. (3⅝ in.) wide respectively

Please note this lot is the property of a private consignor.
出版
The rectangular footed vessel is published in: Mingei International Museum, Martha W. Longenecker, ed., Mingei of Japan: The Legacy of The Founders - Soetsu Yanagi, Shoji Hamada, Kanjiro Kawai, (California, 2006), p. 92
荣誉呈献

拍品专文



Born in Tokyo in 1919, Shimaoka Tatsuzo graduated from the ceramics department of Tokyo Kogyo Daigaku [Tokyo Industrial University], moving after the war to the town of Mashiko in Ibaraki Prefecture where he became a student of Shoji Hamada, one of the founding fathers of the Mingei [Folk Craft] movement. In 1954 Shimaoka started his own kiln, maintaining a consistently high standard during a period when other kilns in the town became more commercialised. The most significant event in Shimaoka's creative life was his encounter with ceramics from the Jomon period. After many unsuccessful attempts to reinterpret Jomon designs in a manner that was sympathetic to Mingei ideals, Shimaoka eventually achieved a fusion of Jomon pattern-making with the Korean tradition of impressed slip decoration, as seen in the work offered here. He was also influenced by traditional English ceramics. Shimaoka received the Nihon Mingeikan [Japan Folk Crafts Museum] Prize in 1962 and in 1996 he was named Ningen Kokuho [Living National Treasure].

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MINGEI ART OF JAPAN: INCLUDING WORKS FROM THE MARTHA LONGENECKER COLLECTION
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