ABDULNASSER GHAREM (B. 1973, KHAMIS MUSHAIT)
Al Siraat (The Path)
signed in Arabic; signed, titled and numbered ‘Abdulnasser Gharem 'SIRAAT (THE PATH) 21/45' (along the lower margin)
silk screen print on somerset tub paper
50⁵⁄₈ x 70⁷⁄₈in. (128.5 x 180cm.)
Executed in 2012, this work is number 21 from an edition of 45

Galerie Krinzinger, Vienna.
Acquired from the above by the present owner in 2013.

R. Simcox, A Degree of Influence, London 2009 (detail illustrated in colour, front page).
E. Booth Clibborn and S. Stapleton (eds.), Abdulnasser Gharem: Art of Survival, London 2011 (illustrated in colour on the front and back cover, illustrated in colour, pp. 66-67, detail illustrated in colour, pp. 70-71).
“Islam · Kultur · Politik”, in Deutscher Kulturrat, January-February 2011 (illustrated in colour on the cover).

Berlin, The Martin-Gropius-Bau, Taswir – Pictorial Mappings of Islam and Modernity, 2009-2010 (another from the edition exhibited).
Doha, Katara, Bending History, 2012 (another from the edition exhibited).
Vienna, Galerie Krinzinger, Edge of Arabia: Contemporary Art from Saudi Arabia, 2012.
Tokyo, Mori Art Museum, Arab Express: The Latest Art from The Arab World, 2012, p. 203 (another from the edition exhibited; detail illustrated in colour on the front cover, p. 131).
Berlin, Side by Side Gallery, Abdulnasser Gharem, 2013 (another from the edition exhibited).
Texas, FotoFest 2014 Biennial, VIEW FROM INSIDE: Contemporary Arab Video, Photography and Mixed Media Art, 2014 (another from the edition exhibited).
London, EOA Gallery, Edition #1, 2014 (another from the edition exhibited; illustrated in colour, p. 1).
San Francisco, Minnesota Street Project, GENERA#ION: Contemporary Art from Saudi Arabia, 2016, p. 48 (another from the edition exhibited; illustrated in colour, front page, back page, pp. 50-51).
Colorado, Gonzo Gallery, Gonzo Arabia: Contemporary Saudi Art in Aspen, 2016 (another from the edition exhibited; illustrated in colour, p. 4).
California, Los Angeles County Museum of Art, Abdulnasser Gharem: Pause, 2017 (another from the edition exhibited; detail illustrated in colour, p. 5, illustrated in colour, pp. 20-21).
New York, Marc Straus Gallery, Hospitable Thoughts, 2022 (another from the edition exhibited).

Others from the edition are held in the Art Fund Collection of Middle Eastern Photography at the Victoria and Albert Museum, London and the British Museum, London.