Lot 2
Lot 2
PROPERTY FROM THE MOKBEL COLLECTION
YVETTE ACHKAR (1928, SAO PAULO – 2024, BEIRUT)

Noces Sanglantes (Bloody Wedding)

Price Realised USD 60,480
Estimate
USD 35,000 - USD 55,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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YVETTE ACHKAR (1928, SAO PAULO – 2024, BEIRUT)

Noces Sanglantes (Bloody Wedding)

Price Realised USD 60,480
Register
Price Realised USD 60,480
Register
Details
YVETTE ACHKAR (1928, SAO PAULO – 2024, BEIRUT)
Noces Sanglantes (Bloody Wedding)
signed 'Y. Achkar' (upper right)
oil on canvas
5918 x 3938in. (150.2 x 100cm.)
Painted in 2008
Provenance
Galerie Jeanine Rubeiz, Beirut.
Acquired directly from the above by the present owner.
Exhibited
Beirut, Galerie Jeanine Rubeiz, Yvette Achkar, 2009 (illustrated in colour, unpaged).
FURTHER DETAILS
Please note that this is an imported item. 5% VAT will be added to the Hammer and to the Premium. Non-UAE Buyers must export within 90 days to secure a VAT refund. If collected in Dubai or shipped within the GCC the lot is subject to an import duty equal to 5% of the low estimate, this will be shown separately on the invoice. The duty must be paid in Dubai, not in the importing country.
Brought to you by
Marie-Claire ThijsenHead of Sale, Specialist, Post-War & Contemporary Art London/Dubai
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

Painted in 2008, Noces Sanglantes (Bloody Wedding) demonstrates Yvette Achkar’s remarkable command of brushwork, infusing each stroke with a harmonious blend of motion and musicality. Despite the apparent spontaneity of Achkar's abstract paintings, her creative process commences long before her brush touches the canvas. She dedicates hours to contemplative reflection upon the canvas, envisioning the boundless possibilities it offers and meticulously selecting her colours and forms. Her process yields abstract compositions that resonate with a profound sense of vastness, exuding an undeniable depth of spirituality and emotion.

Born in Sao Paulo, Brazil, in 1928, Achkar's formative years were spent in Beirut, Lebanon. Originally aspiring to become a pianist, her dreams were redirected when the Lebanese National Conservatory rejected her application, setting her on a new path towards visual art. In 1947, she embarked on a transformative five-year artistic journey at the Académie Libanaise des Beaux-Arts under the guidance of Italian painter Fernando Manetti. Achkar initially began as a figurative painter, but soon ventured into uncharted artistic territories, particularly gravitating toward Abstract Expressionism, before joining a group of like-minded young artists who shared a commitment to pushing the boundaries of conventional art and embracing a more liberated mode of expression. Upon graduating, Achkar received a scholarship from the French government, leading her to Paris for further artistic development. In 1988, Achkar returned to Lebanon with a well-defined visual language characterised by bold colours and striking yet delicate lines. Her artwork became a powerful medium for expressing her emotions and inner self. Achkar's exhibition history spans over six decades and she has taken part in prestigious Biennales in Paris in 1959 and 1962, Alexandria in 1967, and Baghdad in 1984. Her work has been exhibited globally in institutions like the Sharjah Art Museum in 2016, and the Sursock Museum in Beirut in 2019.

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Condition report

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