LALLA ESSAYDI (MOROCCAN, B. 1956)
Bullets Revisited #3
chromogenic print, in three parts
each: 40¹⁄₈ x 32⁵⁄₈in. (102 x 83cm.)
overall: 40¹⁄₈ x 98in. (102 x 249cm.)

Executed in 2012, this work is number fifteen from an edition of fifteen

DNK Art Consulting, London.
Acquired directly from the above by the present owner.

Harper's Bazaar Art, September/October 2015 (detail illustrated in colour, on the cover).
P. Kennicott, ‘A woman’s place in the Middle East? For some, it’s behind a camera‘, in The Washington Post, April 2016 (another from the edition illustrated in colour, accessed online).
C. Raymond, Women Photographers and Feminist Aesthetics, Abingdon 2017, pp. 192-193, 227, 230 (another from the edition illustrated, p. 192).
J. M. Bloom, S. S. Blair, Islamic Art: Past, Present, Future, New Heaven 2019, pp. 98, 338 (another from the edition illustrated in colour, pp. 98, detail illustrated in colour, p. 99).
N. Hachad, 'Lalla Essaydi’s Bullets and Bullets Revisited Aesthetic and Epistemic Violence in a Globalized Art World' in Journal of Middle East Women's Studies, March 2021, p. 16.

London, Kashya Hildebrand Gallery, Lalla Essaydi: Beyond Beauty, 2013 (another from the edition exhibited).
New York, Edwynn Houk Gallery, Lalla Essaydi: New Works, 2013 (another from the edition exhibited).
Baku, The Baku Museum of Modern Art, Lalla Essaydi: Beyond Time and Beauty, 2013-2014 (another from the edition exhibited).
Boston, Museum of Fine Art Boston, She Who Tells a Story: Women Photographers from Iran and the Arab World, 2014-2019, p. 155, no. 14 (another from the edition exhibited, illustrated in colour, pp. 40-41). This exhibition later travelled to Palo Alto, Iris & B. Gerald Canto Center for the Visual Arts; Washington, National Museum of Women in the Arts and Chapel Hill, Ackland Art Museum.
Akron, Akron Art Museum, Alchemy: Transformations in Gold, 2017-2018 (another from the edition exhibited).

Another from the edition is part of the collection of the National Museum of Women in the Arts, Washington, USA.