Lot 59
Lot 59
PROPERTY FROM THE CORNELIA BESSIE ESTATE
CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN (Leiden 1606-1669 Amsterdam)

Bust of a young man wearing a hat

Price Realised USD 27,500
Estimate
USD 3,000 - USD 5,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN (Leiden 1606-1669 Amsterdam)

Bust of a young man wearing a hat

Price Realised USD 27,500
Register
Price Realised USD 27,500
Register
Details
CIRCLE OF REMBRANDT HARMENSZ. VAN RIJN (Leiden 1606-1669 Amsterdam)
Bust of a young man wearing a hat
pen and brown ink
258 x 238 in. (6.7 x 5.9 cm)
Provenance
Possibly Pierre Crozat, Paris (1665-1740) (with associated number ‘222’).
The Earl of Warwick (according to the Schaeffer Galleries label on the back of the frame).
with Leo Franklyn, London.
with Schaeffer Galleries, New York.
Literature
O. Benesch, Rembrandt Drawings, London, 1957, Addenda 8, fig. 1715 (as by Rembrandt).
O. Benesch, The Drawings of Rembrandt, revised and edited by Eva Benesch, II, London, 1973, no. 332A, fig. 400 (as by Rembrandt).
M. Royalton-Kisch, The Drawings of Rembrandt. A revision of Benesch's catalogue raisonné, 2012, Benesch 332A, ill. (http:/rembrandtcatalogue.net; accessed in November 2020; as Rembrandt ??).
Sale Room Notice
Please note that after the catalogue was published Martin Royalton-Kisch has suggested that an attribution to Gerbrand van den Eeckhout should be considered. He notes that a similar treatment of the facial features can also be found in two drawings which have recently been attributed to Van den Eeckhout (see Benesch, op. cit., nos. 159 and 325; H. Bevers, Zeichnungen der Rembrandtschule im Berliner Kupferstichkabinett, Berlin, 2018, no. 62; M. Royalton-Kisch, op. cit., Benesch 59 [http:/rembrandtcatalogue.net; accessed in January 2021], as Govert Flinck or Gerbrand van den Eeckhout??). He furthermore notes that the ‘tangle of lines in the hair’ can also be found in other drawings attributed to Van den Eeckhout (Benesch, op. cit., nos. 108 and 325), and that Eeckhout’s self-portraits show similarly prominent noses and that it should not be ruled out that this could be a self-portrait by the artist. We are grateful to him for his suggestion.
Brought to you by
Giada Damen, Ph.D.AVP, Specialist, Head of Sale
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

Benesch dated this rapidly drawn study to around 1636 and connected it with a group of small head studies (op. cit.,1973, nos. 327-336, figs. 396-406). More recently, Martin Royalton-Kisch has compared it to a drawing with multiple head studies dating the drawing to circa1632-1635 (op. cit.). Another drawing of a man, previously in the Victor Koch collection, shows a man whose face is rendered in a rather strikingly similar way; his head is drawn with bold outlines, quick hatching and his nose and mouth are both rendered with expressive penwork also noticable in the present sheet (ibid., no. 362, fig. 437, not accepted as by Rembrandt by Royalton-Kisch and Peter Schatborn).

We are grateful to Peter Schatborn and Martin Royalton-Kisch for their assistance in cataloguing this drawing.
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Condition report

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