The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

This large canvas is supported on the reverse by a glue lining. There is some evidence of cusping along the upper edge, and some tenting over the upper right corner. The paint layer is stable and exhibits an uneven craquelure. The varnish has become slightly cloudy and yellowed with age. In natural light, scattered restorations to the sky, areas of the architecture, and to the seated donkey rider at lower center are visible. Frame abrasions and associated repairs are visible along the lower edge and are not covered by the rabbet of the current frame. Inspection under ultraviolet light reveals strengthening to the architectural elements at the top of the temple at left, in the dark areas of shadow at far left, scattered in the figures, and to the sculpture and plinth in shadow at far right. This large painting presents well, and is offered in an elegantly carved and giltwood frame.