Head of a young man in profile

Name: ATTRIBUTED TO GIAN LORENZO BERNINI (NAPLES 1598-1680 ROME)
Brand: Head of a young man in profile
Price: 40000.00 GBP
Availability: SoldOut

Price Realised GBP 50,000

Estimate

GBP 40,000 - GBP 60,000

Closed: 17 Dec 2020

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ATTRIBUTED TO GIAN LORENZO BERNINI (NAPLES 1598-1680 ROME)

Head of a young man in profile

Price Realised GBP 50,000

Closed: 17 Dec 2020

Price Realised GBP 50,000

Closed: 17 Dec 2020

Details Lot Essay Related Articles More from

ATTRIBUTED TO GIAN LORENZO BERNINI (NAPLES 1598-1680 ROME)
Head of a young man in profile
oil on paper, laid down on canvas, unframed
15⁷⁄₈ x 12¹⁄₄ in. (40.3 x 31.1 cm.)

F. Petrucci, Bernini pittore dal disegno al `maraviglioso compost', Rome, 2006, pp. 53-4 and 307, no. 2, fig. 38.
T. Montanari, Bernini Pittore, exhibition catalogue, Galleria Nazionale di Palazzo Barberini, Milan, 2007, p. 163, no. R.25.

These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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Lot Essay

This striking portrait was first published by Francesco Petrucci in 2006, who stated in the catalogue that the attribution to Gian Lorenzo Bernini was first proposed by Maurizio Fagiolo dell'Arco Petrucci compared the boy's physiognomy to the head of Bernini's marble (Villa Borghese, Rome), which Baldinucci also proposed as a self-portrait, comparing it in particular to the (Private collection, Rome; , p. 308) and previously with Salander-O'Reilly, New York (, p. 306), both of which Petrucci considered to have been painted by Bernini, comparing the execution of the latter to the present work. Although the attribution and identification of the sitter have been disputed (see Montanari, .), Bernini's accepted oeuvre is characterised by his speed of execution, pictorial abbreviation, sensitivity to the natural and a taste for the unfinished, all of which can be identified in the present portrait.