详情
CIRCLE OF THOMAS MELLISH (BRITISH ACTIVE 1760-1778)
Woolwich Dockyard and ships in the pool at Woolwich
oil on canvas
35 x 58 in. (88.9 x 147.3 cm.)
特别通告
These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Specified lots are being stored at Crozier Park Royal (details below) or will be removed from Christie’s, 8 King Street, London, SW1Y 6QT by 5.00pm on the day of the sale. Christie’s will inform you if the lot has been sent offsite. If the lot has been transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
荣誉呈献
Maja MarkovicDirector, Head of Evening Sale
佳士得专家或会联络阁下,以商讨此拍品,又或于拍品状况于拍卖前有所改变时知会阁下。

拍品专文

The present work has traditionally been attributed to Isaac Sailmaker. However, the painting lacks a number of the distinctive characteristics of his output, such as his prominent use of raised spots of gold paint on the stern detailing of his ships. The colour palette also appears too vivid for Sailmaker’s work. Instead it is much more likely that the painting was executed by one of the early English marine painters working around Peter Monamy. There is a comparable view of Woolwich dated to 1748 by Thomas Mellish (fl. 1748-1778), in the collection of the National Maritime Museum, Greenwich (BHC1048), although the palette is more muted than the present example.

We are grateful to Michael Naxton for his assistance in cataloguing this lot.

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