拍品的状况可能存在极大差异，而由于其性质使然，拍品难以处于完美无瑕的状态。拍品均以拍卖时的状况出售。

This two-piece oak panel is stabilized with joins vertically across the center on the reverse. The panel is even. The artist's painterly technique is highly appreciable, with impasto still visible in raking light. There is slight historic abrasion in the darker passages, such as the darkest elements of the black coat, likely due to the artist's use of thinner glazes across the ground layer. Ultraviolet examination reveals a streaky varnish that prevents further examination, with more recent possible restoration to the inscription. The painting remains in a good state of preservation.