Lot 332
Lot 332
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PROPERTY FROM THE WUNSCH COLLECTION
JACOB VAN HULSDONCK (ANTWERP 1582-1647)

A basket of grapes and a pomegranate on a table

Price Realised USD 63,000
Estimate
USD 50,000 - USD 80,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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JACOB VAN HULSDONCK (ANTWERP 1582-1647)

A basket of grapes and a pomegranate on a table

Price Realised USD 63,000
Register
Price Realised USD 63,000
Register
Details
JACOB VAN HULSDONCK (ANTWERP 1582-1647)
A basket of grapes and a pomegranate on a table
signed 'IHVLSDONCK . FE . ' ('IH' linked, lower right)
oil on panel, with the original gessoed and painted reverse
1878 x 2458 in. (48 x 62.7 cm.)
Provenance
Anonymous sale; Galerie Charpentier, Paris, 12 May 1950, lot 73.
with The Shickman Gallery, New York, where acquired by the present owner.
Brought to you by
Taylor AlessioJunior Specialist, Head of Part II
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

Although born in Antwerp, Jacob van Hulsdonck likely spent much of his youth in the southern Dutch port town of Middelburg, where he received his artistic training. Middelburg’s leading still life studio at the time was that of Ambrosius Bosschaert the Elder (1573-1621), with whom the young Hulsdonck certainly would have been familiar, although he is unlikely to have trained directly under him. In fact, the majority of his oeuvre displays a keen affinity with the work of Osias Beert (c. 1580-1624), the preeminent still life painter active in Antwerp upon Huldonck’s return in 1608; he may even have trained with an artist in Beert’s circle.

After joining Antwerp’s Guild of St. Luke, Hulsdonck established a prosperous workshop specializing in the depiction of fruit in bowls or baskets, most commonly placed on a wooden tabletop which is occasionally draped with a tablecloth. The present painting is a finely executed example of this format, with particular attention paid to the textures of the grapes, the jewel-like pomegranate seeds at right and the droplets of water on the exposed edge of the table, on which the artist has signed his name in full at lower left.

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Condition report

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