Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
Born in Verona, Marcantonio Bassetti began his training in the studio of the Mannerist painter Domenico Brusasorci before moving to Venice, where his style was deeply influenced by encounters with the works of Tintoretto, Veronese and Bassano. From Venice he travelled to Rome, where he is recorded by 1616. In the Eternal City his painting took a markedly different turn, when Bassetti he became part of a group whose work followed that of the German born Adam Elsheimer. The latter’s influence can be felt in the present painting, where the play of light and shadow is manipulated to heighten the drama of the scene. Christ’s lifeless body casts a glow that illuminates the figures around him, giving greatest prominence to the hunched figure of Nicodemus, whose furrowed gaze is directed out at the viewer, and the mourner’s hand that points upward to the heavens, foreshadowing Christ’s ascension.
We are grateful to Professor Sergio Marinelli for confirming the attribution on the basis of photographs (October 2020).
Related Articles
Sorry, we are unable to display this content. Please check your connection.
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The upper panel of the painting appears to have been laid down on a more fibrous panel; it is possible that there is some form of canvas or linen interlay between them. The panel is slightly bowed at each side, although it is uncradled and secure within its current frame. Examination under raking light reveals the painting surface still has some of its original bold impasto highlights, although there is some wear to the darker tones of the background. There is an old repaired dent in between Christ's knees, another to the upper right hand corner and an untouched dent to Christ's right hand. There is a very minor paint loss in the handkerchief held by Mary. With some small flecks of discoloured retouchings; inspection under ultra violet fluorescence is inconclusive but suggests there are a few minor passages of old retouching in the lower right corner around Christ's legs and the wicker basket. It is in very good and stable condition overall.
Cost calculator
Lot 156Sale 20554
The LamentationMARCANTONIO BASSETTI (VERONA 1586-1630)Estimate: GBP 30,000 - 50,000
Enter your bid amount for an estimated cost
Bid amount
Please enter numbers onlyAmount must be higher than the starting bidAmount must be higher than the current bid