A silversmith

The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

This painting is executed on canvas which has been supported on the reverse by a clear plastic lining. The painting is secure, and mounted quite stiffly, on its support. The paint layer is stable, although slightly dirty, under a clear varnish. The paint layer is stable and there is an uneven craquleure across the surface. The weft and weve of the canvas has become pronounced, this has affected the surface in some areas. In natural light broad restorations to the dark background, the back of the silversmith's jacket, and to the forge are visible. These restorations were confirmed via inspection under ultraviolet light. Further restorations to the sitter's clothes, hair and the background at right attempt to close the widening spaces between the weft and weave of the canvas and losses. The painting can be hung in its present state. This work is offered unframed.