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STUDIO OF JACOPO ROBUSTI, CALLED JACOPO TINTORETTO (VENICE 1519-1594)

The Resurrection

    成交價 GBP 50,000
    估價
    GBP 20,000 - GBP 30,000
    估價並不反映實際成交價，亦不包括買家應付酬金、任何適用稅項或藝術家轉售權。詳情請瀏覽業務規定D部。
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    STUDIO OF JACOPO ROBUSTI, CALLED JACOPO TINTORETTO (VENICE 1519-1594)

    The Resurrection

    成交價 GBP 50,000
    登記
    成交價 GBP 50,000
    登記
    詳情
    STUDIO OF JACOPO ROBUSTI, CALLED JACOPO TINTORETTO (VENICE 1519-1594)
    The Resurrection
    oil on canvas, laid down on panel
    201⁄8 x 283⁄8 in. (51.2 x 72.1 cm.)
    with the monogram and inventory number of Don Gaspar de Haro y Guzman, Marques del Carpio (1629-1687) 'DGH / 1216' (on the reverse)
    來源
    Don Gaspar Méndez de Haro y Fernández de Córdoba, 7th Marquis of Carpio and 2nd Duke of Montoro (1629-1687), listed in his archival inventory, 7361, fp. 55, no. 1216, 'Un quadro di p.mi 2 ... con La Resurrezione del Sig.re e molte figure con Cornice intagliata'.
    Consul General Karl Bergsten (1869-1963), Stockholm, and thence by descent to the present owners.
    出版
    K. Asplund, ed., Collection Bergsten: Fortsättning på Generalkonsul och fru Karl Bergstens föregående kataloger över deras konstsamling, Stockholm, 1950, I, p. 50, as 'Titian'.
    特別通告
    Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
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    • 拍品賣家為： Christie Manson & Woods Ltd
    榮譽呈獻
    Maja MarkovicDirector, Head of Evening Sale
    佳士得專家或會聯絡閣下，以商討此拍品，又或於拍品狀況於拍賣前有所改變時知會閣下。
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    拍品專文

    Painted with great freedom, this picture once formed part of the exceptional collection of the celebrated statesman and connoisseur, Don Gaspar Méndez de Haro y Guzmán, 7th Marqués del Carpio y Eliche and 5th Conde Duque de Olivares (1629-1687), the nephew of Don Gaspar de Guzmán, Conde Duque de Olivares, the famous valido (prime minister) of King Philip IV of Spain, and of Don Baltasar de Zúñiga, Conde de Monterrey. He was appointed Ambassador to the Holy See and subsequently Viceroy of Naples and formed one of the most important picture collections in Europe in the third quarter of the seventeenth century, including Raphael's Alba Madonna now in the National Gallery, Washington, Correggio's School of Love and Velázquez's Rokeby Venus, both now in the National Gallery, London.

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