詳情
ITALIAN, 15TH, 16TH AND 17TH CENTURY
A GROUP OF THREE BRONZE MORTARS
來源
Baron Jean Germain Léon Cassel van Doorn (1882–1952) and Baroness Marie Cassel van Doorn, Brussels; Paris and Cannes; and Englewood, New Jersey (the largest).
拍賣場通告
Please note there are only three mortars in the present lot. Additions have been made to the provenance for the present lot.
榮譽呈獻

拍品專文

The very distinctive decoration of a mask surmounted by a pointed hat on largest mortar in the present lot appears on a number of German mortars including examples in the Schwarzach collection (e.g, Part 1, Lempertz, sale no. 1131, 17 May, 2019, lots 1066 and 1072 and Part 2, sale no. 1152, 29 May, 2020, lot 593).

While much of the decoration on German mortars of this period is of course purely decorative it has been suggested that the pointed hat on these mortars possibly derived from the Medieval Jewish  pointed cap. As Naomi Lubrich has pointed out from the 12th till [the end of the 15th c.] such ‘Judenhut’  ‘served as a distinguishing sign for Jews in the German-speaking regions of the Holy Roman Empire.... [and, following the Fourth Lateran Council of 1215], it was imposed on Jews in the Middle Ages'. (N. Lubrich, 'The Wandering Hat: Iterations of the Medieval Jewish Pointed Cap,' Jewish History, vol. 29, No. 3/4 (December, 2015) pp. 203-244 [https://www.jstor.org/stable/24709777].

相關文章

Sorry, we are unable to display this content. Please check your connection.

更多來自
古典大師繪畫及雕塑
參與競投 狀況報告 

佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。

本人確認已閱讀有關狀況報告的重要通知 並同意其條款。 查閱狀況報告