Saint Jerome was one of the fathers of the Church and author of the Vulgate - the early 5th century translation of the biblical texts into Latin. By Dürer's time he had, as a scholar and Latinist, become an iconic figure for the humanists. Jerome appears more frequently in Dürer's work than any other saint. The date of the print, 1514, coincides with the year of publication of the translation into German of the saint's biography by Dürer's friend and fellow citizen Lazarus Spengler. The saint is immediately identifiable by his attributes - the cardinal's hat and the lion - as he sits writing at his desk in a small, light-filled chamber. It is a friendly room where one might feel welcome, were it not for the lion and a sleeping dog guarding the entrance, and the wooden bench turned away from us as if to shield the saint from any intrusion. Together with Melencolia I and Knight, Death and the Devil (see lots 21 & 23), Saint Jerome in his Study is one of the three so-called 'Meisterstiche' ('Master Prints') by Albrecht Dürer. The term is appropriate as with these prints he undoubtedly reached the height of his capacities as an engraver. Aside from their technical brilliance, the prints are also connected by their near-identical format and their concentration on a single figure in a highly complex, richly symbolic environment. If, as has been suggested, they represent three different modes of virtuous living, Saint Jerome embodies the lonely, quiet life of the man of letters. It is the bright sunlight falling through the bull's eye windows, throwing their pattern on the walls and flooding the room with warmth, described by Dürer with dazzling virtuosity, which is the formal theme of this print, and which make it one of the most charming and best-loved of all of Dürer's engravings, lavishly praised by Vasari who said: 'nothing more and nothing better could be done in this field of art'. Yet Dürer in his unique brilliance and skill as a printmaker made that sunshine still seem outshone by the saint's halo, which is the brightest spot of the whole image.
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In addition to the catalogue description: - with several paper splits, short tears or small abrasions, mainly at the sheet edges, all very skilfully and delicately supported and occasionally touched in with pen and ink: a diagonal paper split to the right of the Saint and across the top of the chair and wall cabinet (approx. 50 mm.); two short abrasions on the cardinal's hat; the tips of the lower left corner with repaired tears and a thin spot; the tip of the upper left corner very skilfully made up (4-5 mm.); some abrasions and paper splits at centre left, to the left of the skull; a tiny abrasion on the floor below the table; a small abrasion on the lion's head; small abrasions and a repaired tear from the lion's left paw to the lower sheet edge, another further to the left above the step. - with two soft and unobtrusive horizontal central creases, mainly visible in raking light and verso. - with tiny traces of old adhesive and soft associated cockling along the sheet edges verso, skilfully supported (the sheet was probably mounted onto an album sheet along the edges). - some small inscriptions in pencil and red crayon (undecipherable) verso. The sheet has been professionally restored and presents extremely well. The conservation report is available upon request.
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Lot 22Sale 22904
Saint Jerome in his StudyALBRECHT DÜRER (1471-1528)Estimate: GBP 30,000 - 50,000
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