詳情
GIULIO BONASONE (CIRCA 1500/10-1574) AFTER GIULIO ROMANO (1499-1546)
Omen of the future Greatness of Augustus
engraving, circa 1536-74, on laid paper, watermark Trimount in Quatrefoil (similar to Briquet 11915), a fine impression, printing with strong horizontal wiping marks across the entire subject
Sheet 202 x 267 mm.
來源
Fürst zu Fürstenberg, Donaueschingen, Germany (see Lugt 995); by repute and without mark.
Sotheby's, London, 9 December 1982, lot 518 (£418).
Eric G. Stanley (1923-2018), Oxford; acquired at the above sale (through Artemis Fine Arts, London).
出版
Bartsch XV.155.174
特別通告
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
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  • 拍品賣家為： Christie Manson & Woods Ltd
榮譽呈獻

拍品專文

The present impression shows the same, very pronounced wiping marks as the Cumberland impression (inv. no. H,6.2) in the British Museum, London.
The engraving is related to a drawing by Giulio Romano in the Royal Collection, Windsor (inv. no. 990308), which however only shows the right half of the subject. The drawing is a study for a lost panel painted by Giulio's workshop for the Camerino dei Cesari in the Palazzo Ducale, Mantua.

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