Details
PIERRE MILAN (CIRCA 1500-1557) AFTER ROSSO FIORENTINO (1494-1540)
The Dance of the Dryads
engraving, circa 1540-45, on laid paper, watermark Nivelle Shield (see Jenkins, Fontainebleau, p. 113, fig. 4.6.), a very good impression of the first state (of two)

Plate 277 x 394 mm.
Sheet 279 x 399 mm.
Provenance
Unidentified letters SP (?) in purple ink verso (not in Lugt).
Unidentified French inscription in red charcoal verso, dated 1683.
Literature
Robert-Dumesnil (as Boyvin) 74; Zerner 1; Davis 98
Special notice
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
Brought to you by
Tim Schmelcher
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Lot Essay

This charming scene is based the on a small cartouche by Rosso Fiorentino in the Galerie François I at Fontainebleau, found below the large fresco 'The Sacrifice'. Milan however included a more detailed landscape, with the notable addition of a tree at the center of the scene. Depicted is the dance of the Dryads - nymphs or nature spirits of oak trees - around the sacred oak of Ceres, adorned with garlands of flowers as testimonies to answered prayers. In Greek mythology, Erysichthon, the King of Thessaly, had ordered all trees in the sacred grove of Demeter to be cut down and was cursed for this sacrilege.
In Rosso's pictorial scheme at Fontainebleau, the tree is not depicted in the lunette but in the main fresco. According to Panofsky, it represents the dynastic tree of France. 'Dance of the Dryads thus serves as a warning to those who would attack this royal lineage'.
(See B. Davis, Mannerist Prints, International Style in the Sixteenth Century, Los Angeles, 1988, no. 98, p. 220-1; and
E. Panofsky, The Iconography of the Galerie François I at Fontainebleau, Gazette des Beaux-Arts, Paris 1958, p. 125-6.)

The present engraving was formerly attibuted to Milan's collaborator René Boyvin.
Post Lot Text
PROPERTY OF THE LATE PROFESSOR ERIC STANLEY

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