拍品 92
拍品 92
PROPERTY FROM A PRIVATE SWISS COLLECTION
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with a Cow drinking

成交價 GBP 11,970
估價
GBP 10,000 - GBP 15,000
估價並不反映實際成交價,亦不包括買家應付酬金、任何適用稅項或藝術家轉售權。詳情請瀏覽業務規定D部。
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REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with a Cow drinking

成交價 GBP 11,970
登記
成交價 GBP 11,970
登記
詳情
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Landscape with a Cow drinking
etching and drypoint
circa 1650
on laid paper, without watermark
a very good, lightly tonal impression of the second state (of five)
with narrow margins
in very good condition
Plate 102 x 130 mm.
Sheet 106 x 133 mm.
來源
Probably with William Smith, London.
British Museum, London (Lugt 300; with the acquisition no. [18]43 /2-7 /145, probably relating to Smith); acquired from the above; with their duplicate stamp (Lugt 305) and initials of Campbell Dodgson (Keeper of Prints & Drawings, 1912–32).
With E. & R. Kistner, Nuremberg.
Private Collection, Switzerland; acquired from the above in 1991 (DM 28,000); then by descent to the present owners.
出版
Bartsch, Hollstein 237; Hind 240; New Hollstein 251
榮譽呈獻
Stefano FranceschiSpecialist
佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。瀏覽狀況報告

拍品專文

This scene with a little farmhouse sheltered by some trees, a canal with a small, moored boat and a cow drinking at the water’s edge would be a quintessentially Dutch landscape, were it not for the rocky escarpment behind the building and the hills in the distance. Rembrandt took familiar motifs, such as a langhuis and the canal, and placed them in a more picturesque landscape. He may have seen and sketched the building and the canal near Diemen, where this type of building is common (see: Schneider, 1990, p. 155; and Hinterding, 2008, p. 448), while the mountainous scenery was probably inspired by Bruegel or Goltzius, who unlike Rembrandt had traveled south, or by the dramatic landscapes of Hercules Seghers. Although he was personally unfamiliar with such places, Rembrandt in this small etching achieved a surprising harmony and continuity between the Dutch foreground and the more exotic background.
The Landscape with the Cow exists in two life-time states, with only a tiny change between the two: in the second state, Rembrandt added a few lines of shading to the meadow just to the right of the cow. Of the first state, only ten impressions are known in public collections.

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